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Nicoline Timmer, ‘première mise en scène des motifs visuels de l’opéra mountain, mountain’ (#2), 2019, 39 x 51,4 cm, edition of 10
Commande du Centre Pompidou-Metz pour le catalogue Opéra Monde
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Nicoline Timmer, ‘let them rise’ (#1), 2019, silk fabric, natural dye pigments (oak galls, ferrous oxide, quercitron), 136 x 112 cm
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mountain, mountain 2019
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Nicoline
Timmer, ‘that is not how the ocean works – no’, 2019,
ceramics, white clay, glazed with copper oxide and cobalt oxide, 40 x 63 x 23 cm
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mountain, mountain 2019
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Nicoline Timmer, ‘notes on motion (do1a, folio 81r)’, 2019, plaster, pigment, 45 x 96 x 10 cm
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Nicoline Timmer, ‘première mise en scène des motifs visuels de l’opéra mountain, mountain’ (#1), 2019, 39 x 51,4 cm, edition of 10
Commande du Centre Pompidou-Metz pour le catalogue Opéra Monde
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mountain, mountain 2019
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Nicoline Timmer, The Spell of Matter, view andriesse eyck gallery, 2017
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Nicoline Timmer, falling of a stone
no. 1 The Backs, Cambridge
no. 2 Valley of the Nobles, Egypt
no. 3 Thingvellir, Iceland
no. 4 Rue de L'Ourcq, Paris
(4x) 44.5 x 36.5 cm
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Nicoline Timmer, The Fish are speared in water so I shall surround them with water, 2017, Icelandic wool, South African milkwood, 56 x 152 x 9 cm
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Nicoline Timmer
(l)Towards a row of flying bullets, 2017, sculpting wax, graphite, Lebanese cedar, circa. 33,5 x 26,5 x 7 cm
(r) Charging out between the clouds, 2017, sculpting wax, graphite, Lebanese cedar, circa 46,5 x 37,5 x 7 cm
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Nicoline Timmer, Turns, looking and moving, out of and into the picture, #1, 2017
8 mm still, harman (Ilford) direct positive FB Glossy 5x7” 31,5 x 26 cm, edition of 5 + 1 AP
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Nicoline Timmer, Turns, looking and moving, out of and into the picture, #2, 2017
8 mm still, harman (Ilford) direct positive FB Glossy 5x7” 31,5 x 26 cm, edition of 5 + 1 AP
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Nicoline Timmer, en gras nergens, 2015
low relief carved in stone, white plastic, circa 59 x 25 x 12 cm
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Nicoline Timmer, The Spell of Matter, view andriesse eyck gallery, 2017
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Nicoline Timmer, Clouds, en pointe, 2017, plaster, rubber, wax, laquer on tulip wood, 38 x 48 x 7,7 cm
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Nicoline Timmer, Polyphonic vases, no. 3, 2017, white clay glazed, black clay inlay, circa 47,5 x 36 x 16 cm
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Nicoline Timmer, Hill, 2017, carbon op paper, (15x) 32 x 24 cm
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Nicoline Timmer, Charles – louis Hanon, the virtuoso- pianist, no.31, Paris, 2017, piano, rain, thunder, editie van 3 + 1 AP
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Nicoline Timmer, It gets smaller only if you let it, 2017, silver gelatin, 8 mm film, transferred to digital, edition of 3 + 1 AP
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Nicoline Timmer, Small Significant Bits of Scenery, 2016, #1, print on castilene, 80 X 35 cm
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Nicoline Timmer, Small Significant Bits of Scenery, 2016, #1, alabaster cylinder, 28 X 23cm, print on castilene, 80 X 35 cm
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Nicoline Timmer, To Wonder at a Certain State of Things, 2015, woven pattern (derived from a scrabble in the handwritten manuscipt of Ludwig Wittgenstein's 'Lecture on Ethics', 1929), wool, cotton, wood, 83 X 36 cm
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Nicoline Timmer, Polyphonic Vases, 2015, ceramic, sculptural scores, inlaid motives of black clay, ca. 55 X 45 cm
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Nicoline Timmer, Four Strings Quartet, 2013, tulip wood, strings, electric wire, oscillator, coils, sound
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Nicoline Timmer, Four Strings Quartet, 2013, tulip wood, strings, electric wire, oscillator, coils, sound
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Nicoline Timmer, Four Strings Quartet: Prelude, 2013, 16mm (silent) film, converted to video, 2"48 minute
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Nicoline Timmer, Composition of Mistakes: Solo Concerto, 2013, cardboard book, 1200 X 16 cm, implicit sound
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Nicoline Timmer, Is She Weary or Is She Resting as She Holds a Heavy Object, choir of selfmolded plastic horses, 2013 ca. 20 X 30 X 7 cm, small speakers, sound
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Nicoline Timmer, Is She Weary or Is She Resting as She Holds a Heavy Object, 2013, choir of selfmolded plastic horses, ca. 20 X 30 X 7 cm, small speakers, sound
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Nicoline Timmer, A Way of Moving an Almost Abstract Entity in which there is No Place for Calm, 2012, performance presented as a serie of twelve 16mm-stills
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Nicoline Timmer, A Way of Moving an Almost Abstract Entity in which there is No Place for Calm, 2012, performance presented as a serie of twelve 16mm-stills
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Nicoline Timmer, Monster, 2012, dyed, rearranged fabric sample
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Nicoline Timmer, Handelingen, 2011, choreography, in the dance language Labanotation